BİLGİ PAKETİ / DERS KATALOĞU
5010003160 Cinema and Venue
Degree Programs
FIRST AND EMERGENCY AID
Diploma SupplementNational Qualifications
FIRST AND EMERGENCY AID
Qualification Awarded Program Süresi Toplam Kredi (AKTS) Öğretim Şekli Yeterliliğin Düzeyi ve Öğrenme Alanı
Associate (Short Cycle) Degree 2 120 FULL TIME TYÇ, TR-NQF-HE, EQF-LLL, ISCED (2011):Level 5
QF-EHEA:Short Cycle
TR-NQF-HE, ISCED (1997-2013): 72

Ders Genel Tanıtım Bilgileri

Course Code: 5010003160
Ders İsmi: Cinema and Venue
Ders Yarıyılı: Fall
Ders Kredileri:
Theoretical Practical Labs Credit ECTS
2 0 0 2 3
Language of instruction:
Ders Koşulu:
Ders İş Deneyimini Gerektiriyor mu?: Yes
Other Recommended Topics for the Course: No
Type of course: Üniversite Seçmeli
Course Level:
Associate TR-NQF-HE:5. Master`s Degree QF-EHEA:Short Cycle EQF-LLL:5. Master`s Degree
Mode of Delivery: Face to face
Course Coordinator : Dr.Öğr.Üyesi Nihan Sümeyye GÜNDOĞDU
Course Lecturer(s): Dr.Öğr.Üyesi Nihan Sümeyye GÜNDOĞDU
Course Assistants:

Dersin Amaç ve İçeriği

Course Objectives: The course ‘Space in Cinema’ aims to examine and discuss cinema's contribution to the perception and design of space through the interaction between cinema and space, focusing on spatial design, composition, vision, and aesthetic elements.
Course Content: Explaining spatial construction and representations of space in cinema within the context of the relationship between cinema and space.

Conducting scene and space analyses of films that emphasise space, developing evaluation criteria for these analyses.

Examining the spatial design, construction, vision and aesthetic dimensions of films and discussing their contributions to the perception of space.

Learning Outcomes

The students who have succeeded in this course;
Learning Outcomes
1 - Knowledge
Theoretical - Conceptual
1) Explains the fundamental theoretical approaches to the relationship between cinema and space. Theoretically evaluates the role of space in cinematic narrative and atmosphere. Interprets how space is represented in different film genres (science fiction, dystopia, avant-garde, etc.).
2) Analyzes the spatial structure of a film scene through imagery, lighting, framing, and movement. Describes the social, cultural, and technological implications of the spaces used in the film. Comparatively evaluates the use of space in selected film examples.
2 - Skills
Cognitive - Practical
3 - Competences
Communication and Social Competence
1) Ability to clearly communicate spatial analysis results through reports, presentations or oral expression.
Learning Competence
1) They acquire the ability to learn, update, and deepen theoretical knowledge about the relationship between cinema and space. They can independently apply the knowledge acquired when analyzing new film examples. They can transfer spatial reading and cinematic analysis methods to different contexts. They monitor and develop their own academic development by taking critical feedback into account throughout the learning process.
Field Specific Competence
Competence to Work Independently and Take Responsibility

Ders Akış Planı

Week Subject Related Preparation
1) Explanation of the course's purpose and methodology. Introduction to the concepts of cinema and space. Space construction in cinema and architecture. Students will watch and analyze films of their own choosing. Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
2) Evaluation criteria for films exploring architecture. An examination of the interconnected relationship between architecture and cinema, and a discussion of the effects/contributions of spatial representation in cinema. Film: Jack Arnold - The Incredible Shrinking Man (1957) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
3) Evaluation Criteria 1: Spatial Structure Evaluation Criteria 2. Design Innovations and Inventions Interior Design and Aesthetic Elements Film: Inception (2010 – Christopher Nolan) - The Shining (1980 – Stanley Kubrick) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
4) Technical Field Trip: Visiting the Istanbul Cinema Museum. Assignment 1: Ömer KAVUR -Anayurt Hotel Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
5) Judging Criteria 3: Real-life inspiration Public space, the city, and identity Film: Metropolis (1927 – Fritz Lang) - The Terminal (2004 – Steven Spielberg) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
6) Evaluation Criteria 4: Technological innovations Science fiction / utopian-dystopian settings Film: Fifth Element (1997 – Luc Besson) / Michael Bay - The Island (2005) / Blade Runner (1982 – Ridley Scott) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
7) Evaluation Criteria 5: Spatial avant-gardism (leading idea) Film: La Coquille et le clergyman (Germaine Dulac) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
8) Midterm Exam
9) Evaluation Criteria 6: Richness of imaginative fiction Relationship between memory and space Perception of time and spatial continuity Film: The Grand Budapest Hotel (2014 – Wes Anderson) - Memento (2000 – Christopher Nolan) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
10) Evaluation Criteria 7: Vision (spatial and spatial) Discussion of the film chosen by the students. Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
11) Evaluation Criteria 8: Fantasy that will enhance design knowledge Perception of color, light, decor, and space Film: Paprika (2006 – Satoshi Kon) - Spirited Away (2001 – Hayao Miyazaki) - Alice in Wonderland (2010 – Tim Burton) - The Nightmare Before Christmas (1993 – Henry Selick) - The Lord of the Rings / The Hobbit (Peter Jackson) Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
12) Evaluation Criteria 9: Different ideas about new and different lives and worlds Abstract space, symbolic space design Film: Pan’s Labyrinth (2006 – Guillermo del Toro) - Arrival (2016 – Denis Villeneuve) - Synecdoche, New York (2008 – Charlie Kaufman) - Mon Oncle (1958) - Jacques Tati Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
13) Evaluation Criteria 10: Artistry and aesthetic ideas-experiences-inventions and innovations regarding spatial design. Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
14) Students analyze the selected films in terms of architectural space. Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
15) Students analyze the selected films in terms of architectural space. Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu Yem yayın, İstanbul, 2025 Açelya Allmer, Sinemekan -Sinemada Mimarlık Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls. Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press. Film and Furniture - https://filmandfurniture.com/ Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge. Lamster, M. (2000). Architecture and film. Princeton Architectural Press. Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi. Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto. Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute. Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association. Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
16) Final

Sources

Course Notes / Textbooks: Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu
Yem yayın, İstanbul, 2025
Açelya Allmer, Sinemekan -Sinemada Mimarlık
Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls.
Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press.
Film and Furniture - https://filmandfurniture.com/
Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge.
Lamster, M. (2000). Architecture and film. Princeton Architectural Press.
Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi.
Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto.
Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute.
Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association.
Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu
References: Sinemada Mimarlık, Temel Akarsu H., ERDOĞAN N., Türkiz Özburslu
Yem yayın, İstanbul, 2025
Açelya Allmer, Sinemekan -Sinemada Mimarlık
Albrecht, D. (2000). Designing dreams: Modern architecture in the movies. Hennessey & Ingalls.
Barnwell, J. (2004). Production design: Architects of the screen. Wallflower Press.
Film and Furniture - https://filmandfurniture.com/
Fortin, D. T. (2011). Architecture and Science-Fiction Film. Routledge.
Lamster, M. (2000). Architecture and film. Princeton Architectural Press.
Öztürk, M. (2014). Sine-masal kentler. Doğu Kitabevi.
Pallasmaa, J. (2001). The architecture of image: Existential space in cinema. Rakennustieto.
Penz, F. (1997). Cinema & architecture: Melies, Mallet-Stevens, multimedia. British Film Institute.
Schöning, P., Löffler, J., & Azevedo, R. (2009). Cinematic architecture 1993-2008. Architectural Association.
Şenyapılı, Ö. (2003). Sinema ve tasarım. Boyut Yayın Grubu

Ders - Program Öğrenme Kazanım İlişkisi

Ders Öğrenme Kazanımları

1

2

3

4
Program Outcomes
1) Has basic, current and practical knowledge about his/her profession.
2) Have knowledge about occupational health and safety, environmental awareness and quality processes.
3) Follows current developments and practices for his/her profession and uses them effectively.
4) Uses professionally relevant information technologies (software, programs, animations, etc.) effectively.
5) Has the ability to independently evaluate professional problems and issues with an analytical and critical approach and to propose solutions.
6) Can effectively present thoughts through written and verbal communication at the level of knowledge and skills and express them in an understandable manner.
7) Takes responsibility as a team member to solve unforeseen and complex problems encountered in applications related to his/her field.
8) Has awareness of career management and lifelong learning.
9) It has social, scientific, cultural and ethical values in the stages of collecting data related to its field, its application and the announcement of its results.
10) Uses a foreign language to keep up with current information and communicate with colleagues.
11) Explains and applies basic and advanced life support.
12) Identifies and uses equipment used in the provision of emergency health services.
13) Ensures and manages the safety of herself/himself, the patient and the scene in the provision of emergency health services
14) Explains the legal regulations regarding emergency health services.

Ders - Öğrenme Kazanımı İlişkisi

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) Has basic, current and practical knowledge about his/her profession.
2) Have knowledge about occupational health and safety, environmental awareness and quality processes.
3) Follows current developments and practices for his/her profession and uses them effectively.
4) Uses professionally relevant information technologies (software, programs, animations, etc.) effectively.
5) Has the ability to independently evaluate professional problems and issues with an analytical and critical approach and to propose solutions.
6) Can effectively present thoughts through written and verbal communication at the level of knowledge and skills and express them in an understandable manner.
7) Takes responsibility as a team member to solve unforeseen and complex problems encountered in applications related to his/her field.
8) Has awareness of career management and lifelong learning.
9) It has social, scientific, cultural and ethical values in the stages of collecting data related to its field, its application and the announcement of its results.
10) Uses a foreign language to keep up with current information and communicate with colleagues.
11) Explains and applies basic and advanced life support.
12) Identifies and uses equipment used in the provision of emergency health services.
13) Ensures and manages the safety of herself/himself, the patient and the scene in the provision of emergency health services
14) Explains the legal regulations regarding emergency health services.

Öğrenme Etkinliği ve Öğretme Yöntemleri

Ölçme ve Değerlendirme Yöntemleri ve Kriterleri

Sunum
Raporlama

Assessment & Grading

Semester Requirements Number of Activities Level of Contribution
Presentation 1 % 60
Semester Final Exam 1 % 40
total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
total % 100

İş Yükü ve AKTS Kredisi Hesaplaması

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 2 28
Application 14 2 28
Study Hours Out of Class 14 2 28
Presentations / Seminar 1 1 1
Midterms 1 1 1
Paper Submission 1 2 2
Final 1 2 2
Total Workload 90