BİLGİ PAKETİ / DERS KATALOĞU
| DEPARTMENT OF INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
Ders Genel Tanıtım Bilgileri
| Course Code: | 1412002003 | ||||||||
| Ders İsmi: | Architectural Model | ||||||||
| Ders Yarıyılı: | Spring | ||||||||
| Ders Kredileri: |
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| Language of instruction: | TR | ||||||||
| Ders Koşulu: | |||||||||
| Ders İş Deneyimini Gerektiriyor mu?: | No | ||||||||
| Type of course: | Bölüm Seçmeli | ||||||||
| Course Level: |
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| Mode of Delivery: | Face to face | ||||||||
| Course Coordinator : | Dr.Öğr.Üyesi Beyza ÇERMİKLİ | ||||||||
| Course Lecturer(s): |
Assoc. Prof. Orkunt TURGAY Öğr.Gör. Serkan SALAH |
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| Course Assistants: |
Dersin Amaç ve İçeriği
| Course Objectives: | Developing 3D thinking and design skills by making use of models in interior architecture projects; making the model an effective tool in transferring conceptual thinking to projects; To evaluate the relationship between material, form and structure through a model. |
| Course Content: | Model types (concept models, working models, presentation models), model scales (architecture/building models, interior models, detail models), model materials, models for modeling the spaces and furniture that are the subject of interior architecture projects with the right scale, materials and techniques. introduction of construction techniques and model presentation techniques (lighting, background design, boxing, photography). |
Learning Outcomes
The students who have succeeded in this course;
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Ders Akış Planı
| Week | Subject | Related Preparation |
| 1) | Introduction of the course, introduction to models and representation concepts | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 2) | Introduction of model types (concept models, working models, presentation models) and model scales (architecture/building models, interior models, detail models) | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 3) | Introduction of model materials and model making techniques | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 4) | Practice 1: Concept model: Developing conceptual thinking with model materials and model making techniques | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 5) | Practice 1: Concept model: Developing conceptual thinking with model materials and model making techniques | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 6) | Practice 2: Working model: Studying model scales (architectural/building models, interior models, detail models) | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 7) | Practice 2: Working model: Studying model scales (architectural/building models, interior models, detail models) | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 8) | Midterm Exam | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 9) | Application 3: Indoor mock-up | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 10) | Application 3: Indoor mock-up | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 11) | Application 4: Furniture mock-up | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 12) | Application 4: Furniture mock-up | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 13) | Application 4: Furniture mock-up | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 14) | Practice 5: Model presentations | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 15) | Practice 5: Model presentations | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| 16) | Final Exam | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
Sources
| Course Notes / Textbooks: | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
| References: | - Schilling A., (2007). Basics Model Building, Birkhauser, Basel-Boston-Berlin. - Werner, M., (2011). Model making, Princeton Architectural Press, New York. - Abruzzo E., Ellingsen E., Solomon J., D., (2007). Models, 306090 Books, New York. - Smith A. C., (2004). Architectural Model as Machine, Architectural Press, Oxford. - Porter T., Neale J., (2000). Architectural Supermodels, Architectural Press, Oxford. - Moon, K., (2000). Modelling Messages, the Architect and the Model, the Monacelli Press, New York. |
Ders - Program Öğrenme Kazanım İlişkisi
| Ders Öğrenme Kazanımları | 1 |
2 |
3 |
4 |
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| Program Outcomes | ||||||||||||
| 1) Have theoretical, design and technical knowledge to fulfill the requirements of the profession in the field of Interior Architecture and Environmental Design in the field of design, and can use the acquired knowledge in academic and applied fields with theoretical-factual, cognitive-applied dimensions. | ||||||||||||
| 2) Within the scope of the duties and responsibilities that the profession can undertake, it determines the needs related to national and international sensitivity in environmental, economic and social fields and can bring solutions to problems. | ||||||||||||
| 3) She/He can create creative and contemporary designs with an aesthetic approach that considers human-environment interaction in the built environments it creates within the scope of user needs, and presents its designs visually, verbally and in writing through different communication channels. | ||||||||||||
| 4) She/He can follow the stages of the designs he has developed based on theory and design knowledge, make analyzes about production during the design process, and use his theoretical knowledge for management and construction in the field of application. | ||||||||||||
| 5) Can access current discussions and developments in the field of design by using different technological tools, and can apply innovative and creative ideas obtained from various information sources in the field of current trends and new technologies. | ||||||||||||
| 6) Can interpret, analyze and apply the knowledge, thoughts and approaches acquired by evaluating national and international standards and regulations within the scope of user needs. | ||||||||||||
| 7) She/He can evaluate multidisciplinary collaborations in his field, work as a team in the design and production stages, and lead the teams he creates. | ||||||||||||
| 8) She/He knows his responsibilities in professional, social and social matters according to changing conditions within the needs of the user, and can develop alternative solutions by taking the initiative in public and community service issues. | ||||||||||||
| 9) Knows the legal responsibilities of Interior Architecture and Environmental Design, develops the skills of continuous renewal within the principle of lifelong learning, can have the necessary information about current professional duties and responsibilities by maintaining communication with professional organizations. | ||||||||||||
| 10) She/He can have visual, verbal and written communication skills academically, understand the importance of special research topics related to his field and share his critical thinking developed within the context of contemporary Interior Architecture and Environmental Design on local and national platforms. | ||||||||||||
| 11) They can express their designs created with their knowledge and skills by using effective representation methods, and have the ability to make visual and written presentations by using various information tools at an advanced level. | ||||||||||||
| 12) She/He is aware of the social, environmental, national and universal effects of Interior Architecture and Environmental Design practices, knows the importance of the health and safety of users and employees within the ethical values of the profession. | ||||||||||||
| 13) In the Interior Architecture and Environmental Design profession, she/he has personal awareness in maintaining local characteristics, respectful to national and international social and cultural values with which she/he is in contact, and having the necessary awareness in the preservation and transfer of cultural heritage. | ||||||||||||
Ders - Öğrenme Kazanımı İlişkisi
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | Have theoretical, design and technical knowledge to fulfill the requirements of the profession in the field of Interior Architecture and Environmental Design in the field of design, and can use the acquired knowledge in academic and applied fields with theoretical-factual, cognitive-applied dimensions. | 3 |
| 2) | Within the scope of the duties and responsibilities that the profession can undertake, it determines the needs related to national and international sensitivity in environmental, economic and social fields and can bring solutions to problems. | 1 |
| 3) | She/He can create creative and contemporary designs with an aesthetic approach that considers human-environment interaction in the built environments it creates within the scope of user needs, and presents its designs visually, verbally and in writing through different communication channels. | 5 |
| 4) | She/He can follow the stages of the designs he has developed based on theory and design knowledge, make analyzes about production during the design process, and use his theoretical knowledge for management and construction in the field of application. | 2 |
| 5) | Can access current discussions and developments in the field of design by using different technological tools, and can apply innovative and creative ideas obtained from various information sources in the field of current trends and new technologies. | 1 |
| 6) | Can interpret, analyze and apply the knowledge, thoughts and approaches acquired by evaluating national and international standards and regulations within the scope of user needs. | 1 |
| 7) | She/He can evaluate multidisciplinary collaborations in his field, work as a team in the design and production stages, and lead the teams he creates. | 2 |
| 8) | She/He knows his responsibilities in professional, social and social matters according to changing conditions within the needs of the user, and can develop alternative solutions by taking the initiative in public and community service issues. | 1 |
| 9) | Knows the legal responsibilities of Interior Architecture and Environmental Design, develops the skills of continuous renewal within the principle of lifelong learning, can have the necessary information about current professional duties and responsibilities by maintaining communication with professional organizations. | 1 |
| 10) | She/He can have visual, verbal and written communication skills academically, understand the importance of special research topics related to his field and share his critical thinking developed within the context of contemporary Interior Architecture and Environmental Design on local and national platforms. | 2 |
| 11) | They can express their designs created with their knowledge and skills by using effective representation methods, and have the ability to make visual and written presentations by using various information tools at an advanced level. | 5 |
| 12) | She/He is aware of the social, environmental, national and universal effects of Interior Architecture and Environmental Design practices, knows the importance of the health and safety of users and employees within the ethical values of the profession. | 1 |
| 13) | In the Interior Architecture and Environmental Design profession, she/he has personal awareness in maintaining local characteristics, respectful to national and international social and cultural values with which she/he is in contact, and having the necessary awareness in the preservation and transfer of cultural heritage. | 1 |
Öğrenme Etkinliği ve Öğretme Yöntemleri
| Anlatım | |
| Bireysel çalışma ve ödevi | |
| Course | |
| Grup çalışması ve ödevi | |
| Homework | |
| Uygulama (Modelleme, Tasarım, Maket, Simülasyon, Deney vs.) |
Ölçme ve Değerlendirme Yöntemleri ve Kriterleri
| Homework | |
| Uygulama | |
| Bireysel Proje | |
| Grup Projesi | |
| Uzman / Jüri Değerlendirmesi |
Assessment & Grading
| Semester Requirements | Number of Activities | Level of Contribution |
| Homework Assignments | 1 | % 30 |
| Midterms | 1 | % 30 |
| Semester Final Exam | 1 | % 40 |
| total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 60 | |
| PERCENTAGE OF FINAL WORK | % 40 | |
| total | % 100 | |
İş Yükü ve AKTS Kredisi Hesaplaması
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 2 | 28 |
| Study Hours Out of Class | 14 | 8 | 112 |
| Midterms | 1 | 2 | 2 |
| Final | 1 | 2 | 2 |
| Total Workload | 144 | ||